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I’m the biggest fan of well-made werewolf films that have engaging, cohesive storylines with great acting and fantastic special effects.
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Kruger’s Street Trash is everything you could ask for in an exploitation movie. It’s excessively violent, explosively gooey, and bafflingly heartwarming.
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In 1922, F.W. Murnau’s unauthorized adaptation of Bram Stoker’s Dracula—titled Nosferatu: A Symphony of Horror—became the first true horror film.
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The Deserving, brought to us by writer/director Koka Singh Arora, is a weird, confusing little tale that has to do with regret, redemption…and ghosts.
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Writer/director Joshua Morgan’s Children of The Pines is a disturbing, slow burning supernatural tale about manipulation and redemption.
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[…] Shark Girl is a low-budget monster-slasher hybrid that shows just what happens when shark DNA and human DNA get mixed up in a stew of radioactive waste.
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“The Whisperer In Darkness” is a lesser-known Lovecraft novella that would seem to be even harder than most to adequately film.
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Director Federico Zampaglione along with cowriter Stefano Masi have crafted a solid slab of grisliness that scratches just the right kind of gore-hound itch.
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Get out your old topographical maps, dangle your magic pendulums, and set your intentions to finding dead children because you’re about to enter The Moor.
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What exactly is Hell? Is it the eternally burning netherworld of the Bible, where you get poked and prodded by red guys with pitchforks?
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